Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema by Annette Kuhn
- Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema
- Annette Kuhn
- Page: 232
- Format: pdf, ePub, mobi, fb2
- ISBN: 9780860919933
- Publisher: Verso
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This is especially true of the science fiction film—a genre as old as cinema itself—which has rarely received the serious attention devoted to such genres as the western, the film noir and recently, under the aegis of feminist film theory, the so-called "woman's film." Alien Zone aims to bring science fiction cinema fully into the ambit of cultural theory in general and of film theory in particular. The essays in this book—some newly written, others gathered from scattered sources—look at the ways in which contemporary science fiction films draw on, rework, and transform established themes and conventions of the genre: the mise-en-scene of future worlds; the myth of masculine mastery of nature; power and authority
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This module is concerned with fantasy film and fiction, involving analysis of a range of fantasy, science-fiction, Gothic and horror texts from and twentieth centuries, alongside psychoanalytic and cultural theories of fantasy, identity, and genre. NOTE: this module includes study of some modern horror films.
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Kuhn, Annette (editor) (1990), Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso. Kuhn, Annette (editor) (1999), Alien Zone
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Aliens R Us explores the global culture of science fiction cinema, and in Alien Zone: Cultural Theory & Contemporary Science Fiction Cinema.
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ORGANISATIONAL FUTURES IN CONTEMPORARY SCIENCE FICTION FILM (ed) Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema.
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“who programs you: The Science Fiction of the Spectacle.” Alien Zone: Cultural Theory and. Contemporary Science Fiction Cinema. Ed. Annette Kuhn.
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Creed, B. 'Alien and the Monstrous-Feminine' in Kuhn, A. (1990) Alien Zone: cultural theory and contemporary science fiction cinema. Kristeva, J. (1980) Powers
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We have seen that this is the case in the science fiction films we have .. Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema, London: Verso.
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Cultural Theory and Contemporary Science Fiction Cinema Alien Zone aims to bring science fiction cinema fully into the ambit of cultural theory in general and
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Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. Ed. A. Kuhn. London: Verso, 1990. 73-81. Le Guin, Ursula K. The Left Hand of Darkness
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Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London: Verso, 1990. Lacey, Nick. York Film Notes: Blade Runner. London: York Press
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The Role of the Alien in Science Fiction Film, 1977-2001. Lincoln (1990), Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema. London:
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Science fiction films, despite their futuristic settings, often associate gender markers Alien zone: Cultural theory and contemporary science fiction cinema (pp.
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Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema (1990), PN1995.9.S26 A818 1990, Leftist, feminist & Freudian analyses. Blade Runner
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